Issue 32 Contributors
Gayle Brandeis is the author of Fruitflesh: Seeds of Inspiration for Women Who Write, and the novels The Book of Dead Birds, which won the Bellwether Prize for Fiction, Self Storage, Delta Girls, and My Life with the Lincolns. Her poetry collection, The Selfless Bliss of the Body, was released in June by Finishing Line Press and her memoir, The Art of Misdiagnosis: Surviving My Mother's Suicide, will be published by Beacon Press in November.
Sarah A. Chavez a mestiza born and raised in the California Central Valley, is the author of two collections of poetry, All Day, Talking (Dancing Girl Press, 2014), a selection of which won the Susan Atefat Peckham Fellowship (2013), and Hands That Break & Scar (Sundress Publications, 2017). Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest and she was named one of the 2016 Top Ten "New" Latino Authors to Watch (and Read) by LatinoStories.com. Chavez holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in the anthologies Political Punch: The Politics of Identity, Imaniman: Poets Writing in the Anzalduan Borderlands, and Bared: An Anthology on Bras and Breasts, as well as the journals Brevity, North American Review, Fourth River, Acentos Review, North Dakota Quarterly, and The Boiler Journal, among others. She teaches creative writing, literature, and composition at Marshall University, where she also serves as the coordinator of the A.E. Stringer Visiting Writers Series. She is a proud member of the Macondo Writers Workshop. Find her on the internet at www.sarahachavez.com.
Hannah Chertock graduated Virginia Commonwealth University School of the Arts with a Bachelor of Fine Arts in Photography and Certificate of Product Innovation in 2016. Her work has been featured at Adah Rose Gallery in Kensington, Maryland, The Anderson Gallery in Richmond, Virginia and literary arts journals such as Medical Literary Messenger and The Tulane Review. She currently manages an Etsy shop where you can find her recent creations: Etsy.com/shop/BodiesAdapt. Follow her on Instagram @BodiesAreWeird for behind the scenes process videos.
Anthony DiPietro is a New England native who worked for 12 years in nonprofit organizations on issues such as violence, abuse, and income inequality. Last year, he moved to Eastern Long Island and joined Stony Brook University as a candidate for an MFA in poetry. A graduate of Brown University with honors in Creative Writing, his poems have appeared or in The Woman Inc, Talking River, Assaracus, The American Journal of Poetry, and The Southampton Review.
Jo Angela Edwins has published poems in various anthologies and journals including Calyx, Adanna, New South, Naugatuck River Review, and Whale Road Review. Her chapbook Play was published in 2016 by Finishing Line Press. She was the 2014 recipient of the Carrie McCray Nickens Poetry Fellowship Prize from the South Carolina Academy of Authors. She lives in Florence, SC.
Maggie Graber is a poet from the Midwest. She holds an MFA from Southern Illinois University and a BA from Indiana University. She has received grants and fellowships from the Barbara Deming Memorial Fund and the Luminaries Cultural Foundation, and her poems have appeared or are forthcoming in The Louisville Review, Southern Indiana Review, The Adroit Journal, Pittsburgh Poetry Review, Hobart, The Indianapolis Review, and elsewhere. Find her online at maggiegraber.com.
Jade Hurter is the author of the chapbook Slut Songs (Hyacinth Girl Press, 2017). She was a finalist in the 2016 Tennessee Williams Poetry Contest, judged by Yusef Komunyakaa, and her recent work has appeared or is forthcoming in The Columbia Poetry Review, Tinderbox, Passages North, New South, and elsewhere.
Travis Chi-Wing Lau is a doctoral candidate at the University of Pennsylvania Department of English. His research interests include 18th- and 19th-century British literature, the history of medicine, and disability studies. His academic writing has been published in Journal of Homosexuality, Romantic Circles, Digital Defoe, and English Language Notes. His creative writing has appeared in Wordgathering, Assaracus, The New Engagement, The Deaf Poets Society, Up the Staircase Quarterly and QDA: A Queer Disability Anthology. Find him on the internet at travisclau.com.
Liv Mammone is an editor and poet from Long Island, New York; where she lives with her parents, brother, and family of feral cats. She’s a two time nominee for 2016’s Best of the Net poetry anthology. Her poetry has appeared in the anthologies QDA: a Queer, Disabled Anthology, Grabbing the Apple, The Careless Embrace of the Boneshaker, as well as being forthcoming in Monstering. As a spoken word poet, she has featured at Artists Without Walls, Stonybrook University, and Union Square Slam. In 2017, She became the first visibly disabled person to be on a New York City slam team and appeared in the play The Fall of All Atomic Angels at the Public Theater as part of a festival that was named Best of Off Off Broadway by Time Out Magazine.
Sarah Nichols lives and writes in Connecticut. She is the author of four chapbooks, including Dreamland for Keeps (Porkbelly Press, forthcoming, 2018) and She May Be a Saint (Hermeneutic Chaos Press, 2016). Her poems and essays have also appeared in Luna Luna, The Ekphrastic Review, Calamus Journal, and the RS 500.
Annie Pittman lives in Chicago, where she works as a licensed massage therapist. She earned her MFA in poetry from the University of Virginia in Charlottesville. Her poems have appeared in Neck, Thrush Poetry Journal, Midwestern Gothic, and BOAAT Journal.
Shannon Sankey's poems and essays have appeared or are forthcoming at Poets.org, Pittsburgh Poetry Review, Hospital Drive, Atticus Review, Pretty Owl Poetry, and elsewhere. She is a copywriter and co-editor of Stranded Oak Press. Find her on the web at www.shannonsankey.com